Performing with a wide variety of ensembles is one of the distinctly enjoyable aspects of this performer’s career. One week I may be fronting a jazz orchestra, while the next I may be playing the piano myself in my own cabaret show in an intimate room. My need for variety and fresh challenges has historically been responsible for my booking certain themed shows before they exist, and then writing the musical arrangements for them out of the necessity of delivering a performance date. Any musician’s thirst for new experiences would show this to be the way many of us operate. Along with the theme of the show, I often invite a concert presenter to choose the size of the ensemble they wish to book, which proffers me a great deal of booking flexibility, while giving the presenter some options.

Next month I have the distinct privilege of serving the U.S. Army Band, “Pershing’s Own,” as their Artist-In-Residence for a few days. During our time together, I will teach a master class and lead an improvisation workshop, and offer two coaching sessions for the Army Voices, a highly select group of professional singers who perform a variety of genres well, including vocal jazz. The highlight of this journey will be sharing a joint concert (date to be rescheduled due to winter storm Stella) with Army Voices and Army Blues (a most outstanding jazz “big band”) as their guest artist. The concert will open at Brucker Hall, Arlington National Cemetery, and include a number of various ensemble configurations. There will be a set of my original pieces which I will sing with a small jazz combo (and I’ll play the piano with the trio on one tune). There will also be a set of pieces during which I will perform with the big band, and another set with the vocal jazz ensemble. This concert mash-up lends itself to the variety I cherish, and is a great honor, because this band and vocal jazz ensemble are among the best in the world!

Another ensemble configuration I absolutely love is the symphony orchestra. I am fortunate to have two symphony shows (holiday pops and jazz pops) which I perform with various symphonies here and there. Conductors and executive directors of American symphonies (or those abroad) are welcome to contact me to discuss dates and programs available. Regardless of the ensemble size or instrumentation, live music itself is paramount and its culturally vital message of beauty and inherent value should never be underestimated. I hope that those of you in the Washington, D.C. area will join us for a fabulous show of the immense talent possessed by our young men and women serving in the U.S. Army Bands!

We all have holiday traditions ranging from waking up Santa (who’s sleeping under one’s Christmas tree) and chasing him up the chimney before the children come racing down the stairs (we always heard his jingle bells, but never did catch a glimpse of him rushing up the flue, even though Dad insisted he had to chase him out of the house every year) to drinking egg nog on New Year’s Eve… But what about musical traditions associated with the holidays?

Many families and individuals make a concerted (pun intended) effort to attend a Messiah sing-in, during which members of the audience bring or are given copies of Handel’s famous score with which to sing along. I personally love this tradition, and lament the fact that in some areas of our country this tradition seems to be waning. Others participate in caroling expeditions through their neighborhoods and to nursing homes to spread good will and Christmas cheer. This year I coordinated a neighborhood caroling night and it served to introduce us to other music-loving families in our community, as well as bring both the singers and the recipients of an unexpected serenade a keen sense of love, local good will and purity in the midst of all else happening in the world. It was a sweet departure from reality into heaven for a few hours, albeit cold! This is a tradition that anyone can plan, and it brings a large return of friendship and joy on your relatively small investment of energy and time. Another tradition that I have established in my household is playing and singing carols at the piano at various times of the season. Now that I am a professional pianist as well as a professional vocalist, I find great pleasure in singing the songs of Christmas (and New Year’s) for my family to enjoy. I think it is important that those who identify themselves as musicians find ways to share their music with others as often as possible–the world needs us! Still other musical traditions include putting Christmas albums on to listen to during gift exchanges, cooking and baking marathons, and breakfasts throughout the twelve (yes, TWELVE!) days of Christmas.

Since Christmas is a season in the Christian calendar and not just a single day, it is important to remember to honor the Christmas spirit, story, scriptures, songs, traditions and cheer throughout the period from Advent (when we await the coming of Christ and celebrate the anticipation of His blessed birth) through to Epiphany (January 6, the traditional day we acknowledge the visitation of the three wise men/kings/magi to the infant Messiah, and the revelation of God to mankind). Being a season of forty days (Advent) plus twelve days of Christmas, the possibilities for enjoying a long season of holiday music are many. I love the song “The Twelve Days of Christmas” because it reminds me to celebrate each day of the Christmas season.

Some members of my family get together and play music in what we call “the family band” featuring several brass players (french horns, trumpet, tuba, trombone, saxes, clarinet, flute and drum set). This is a wonderful tradition that I highly recommend for any musical families to start–it programs great memories of making music with your own family right into your holiday calendar each year (our family band also meets to play together on Independence Day!) A new tradition that I aim to start next year is to enjoy some kind of musical activity which celebrates the season every day of Advent and Christmas–whether being a different seasonal song I sing or play each day, or attending a Christmas concert by my local symphony or community choir, or writing a holiday song, or coordinating another caroling expedition, or playing a new album of Christmas big band arrangements… Again, the possibilities are endless. I look forward to the holidays each year and intend to continue enjoying this Christmas season (we are currently at the seventh day) with an emphasis on the music and how it contributes to our joy, peace and worship. I wish you all a happy, holy and safe remainder of the Christmas season and a 2017 that exceeds your wildest dreams! Thank you always for your support of live music and of those who create it. Blessings to all!

Dear Ms. Knight,

My husband and I spent a wonderful evening with you a few weeks ago when you performed in Greenville, South Carolina at the Peace Center. What a tremendous show you gave your audience! I marveled at the vibrancy, fullness of tone, and outstanding control that you still have after singing professionally for over fifty years. Forgive my surprise, but there was no trace of the wobble that plagues so many older singers, and you commanded the entire stage with C)lan and great energy. Your pitch, rhythm, and phrasing were, as always, flawless. I particularly appreciated the rapport you built with your audience and the graciousness that flowed out of you toward us. Young performers should take heed of this–enduring performers APPRECIATE and VALUE their audience members–you thanked us several times when we wanted to be thanking you for enriching our lives with your music, grace and love.

My favorite moments included when you sang a tribute to Ella Fitzgerald–you chose the Gershwin standard,”The Man I Love.” I found that to be extremely interesting and ironic, because when I performed on the PBS-broadcast show, “We Love Ella! A Tribute to the First Lady of Song,” also featuring Natalie Cole, Patti Austin, Take 6, Quincy Jones, Wynonna, Nancy Wilson and so many other masterful artists, that is the song I was given to sing as a soloist with the Thornton orchestra and big band. Great choice!

Another favorite moment was when you paused from singing so many songs associated with your recording career and sang two well-known praise songs lifting up your heart to God with the other singers on stage. Your faithfulness in sharing with your audience about the heavenly source of joy in your life was so inspiring. Finally, your unbelievable rendition of “Midnight Train to Georgia,” which we had all been waiting for, of course, was worth the wait and very moving for me. That song has special meaning for me and has helped to bring me through some painful, sacrificial times in my life, so thank you for sharing it with us in such a poignant way.

Since I was a young child you have been and always will remain one of my favorite singers, and I am better at what I do because of people like you who have remained so true to their art form, true to themselves, true to the public and true to the Lord. God bless you, Ms. Knight–I look forward to our next visit together.

Sincerely Your Fan,

Tish

I was duly surprised earlier this month to discover that the 59th Grammy Awards has decided to honor my 2015 Songs From the Heart EP with consideration in three categories! The first track, “Follow Me,” was co-written by my husband, George GC!bor, and has been listed for Grammy consideration in “Song of the Year” and “Best Pop Solo Performance” categories. Track two, “Be Still and Know,” is being considered in the Best Contemporary Christian Music Performance/Song” category. I am super-excited about this attention my original songs have received–and fully realize that I am so blessed to be able to do what I absolutely love as my profession. Both songs come from an EP of guitar/vocal duets and were recorded with my favorite collaborative artist, the amazing guitar master John Chiodini, who performs with incredible emotion, originality, style and artistry in everything he does. Our 2016 recording, a jazz album yet to be released or titled, is still in production and will be out next year. That project has its own set of enormously exciting tales to tell, but its time will come… NARAS members, thank you so much for your consideration of my songs on this ballot round!

As a youth, I often wondered how artists became noticed and included in these awards deliberations… Why are some talented artists seemingly overlooked while others, perhaps not nearly as gifted or skilled, get so much attention? Naturally, life has taught me the answers to those questions, and very hard work, diligence, discipline and sheer perseverance cannot be minimized when looking back on my career. The school of hard knocks may be the more difficult way to go, but it does produce its own unparalleled brand of achievement and satisfaction eventually. At many junctures in life, I think I took the less-traveled road… I have never entered a singing or jazz competition, so I never had a career or recording contract handed to me, as some have. I never was “discovered” at a young age (well, actually I was, but I felt my Ivy-League education was too important to give up for a possible Miss America title… true story.) In another instance, when an ABC network producer called me on the phone to invite me to star in their reality music show pilot, I turned them down–with the caviat that I would be glad to accept employment from them to coach their contestants instead. The producer was speechless and stated that he had never experienced a turn-down from an artist before. I was too concerned about preserving the integrity of my music career (in which I always have called the shots) to hand it over to a possibly irresponsible producer who would be willing to sacrifice my career to improve the network’s ratings. As tempting as worldwide fame and attention may have been in previous moments, I am grateful that I had the presence of mind and self-respect in that moment to do what was best for me, which was to turn down ABC’s offer.

My advice to young artists today (should you choose to accept it) is this: ALWAYS be true to yourself and to your art. Do not be tempted by agents, managers, opportunities or offers that feel out of step with where you would like your career (and life!) to go. If you cannot be in control of your career, or if the offer does not align with your value system, it could be unwise to follow someone else’s concept of who you could become. I have since been approached by managers and Broadway producers who may yet contact me for collaborative work… who knows? I will entertain each offer individually as it comes, and if it happens to align with my goals, GREAT! But often, if it comes with a “catch” or a cost, that’s a danger sign. I am content to go where my Lord leads me. And even if my life includes not another single awesome gig, opportunity, job, or award, I can honestly say that I have lived my dreams… even now I am living them… and for that I am eternally thankful.